Yann Tiersen: Go Figure

More absorbed than ever in electronics, Yann Tiersen’s latest album ‘11 5 18 2 5 18’ finds the Breton composer sampling and resampling old tracks into compelling, exquisitely wrought fresh shapes… with an occasional nod to the dancefloor. Who knew?

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Jeremy Allen

10 Landmark Modular Albums

byMark Roland

From Morton Subotnick to Kaitlyn Aurelia Smith, these 10 records have defined modular synthesis in their own unique and thrilling style

LLong Reads

10 minute read

Harald Grosskopf: Tempel Pilot

byDavid Stubbs

Having been part of Ash Ra Tempel and its Ashra reincarnation, as well as Wallenstein and the legendary Cosmic Jokers, Harald Grosskopf is krautrock royalty. His scintillating 1986 solo release, ‘Oceanheart’, is now being reissued and given a contemporary rework by the man himself

LLong Reads

11 minute read

The Orb: Moony Tunes

byDavid Stubbs

Alex Paterson has been Chief Space Cadet of The Orb for more than 25 years, piloting the chill-out pioneers to parts of the universe nobody else even knew existed. Following the release of their ‘Moonbuilding 2703 AD’ album, Paterson talks Ralf Hütter, Johnny Rotten, Chuck D, cosmic horizons, concrete slabs, dead drums, public toilets in the 1970s and a lot more besides

LLong Reads

11 minute read

The Final Frontier of Sound

byBen Gilbert

The fascination that electronic music artists and fans have with worlds beyond Earth is being deepened by technological advancements and renewed intergalactic ambitions. And we’re also now starting to get answers to a question that’s bugged many of us for a long time. What does space actually sound like?

LLong Reads

8 minute read

William Basinski: Loop Guru

byFat Roland

William Basinski’s ‘The Disintegration Loops’ has attained legendary status. As an expansive new reissue drops, this dark ambient masterpiece drifts back into focus, shimmering with haunted reverie

LLong Reads

7 minute read

Radionics: Making Waves

byBen Murphy

The healing power of sound waves, or Radionics, is as fascinating as it is bonkers. The wild and wonderful machines built by Oxford-based scientist George De La Warr were never intended as instruments, but they went on to inspire electronic pioneer Daphne Oram. We meet researcher and musician Daniel Wilson who tells us De La Warr’s incredible tale…