As producer Auntie Flo, Brian d’Souza has been around the block, but you wouldn’t know it. He tells the story of his new album – half a decade in the making – and where he gets his lust for life

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Haiku Salut: Poetry in Motion

They refer to themselves as “three mute girls”, but Haiku Salut are very happy to talk about their superb new album and their unusual live shows, which have taken place in churches, libraries and even the deep end of a swimming pool
Read More

Sparks: Mael Men

Ron and Russell Mael talk about Veronica Lake, North Korean military pageantry and their expanding collection of trainers and snow globes. Oh, and their 25th studio album, ‘The Girl Is Crying In Her Latte’. Yes, it’s just another day in the strange and beautiful world of Sparks
Read More

Berlin after Bowie: Alexander Hacke, Mick Harvey, Simon Bonney

“It was a fact of life as a little kid,” recalls Alexander Hacke, musician, producer, filmmaker and long-time Einstürzende Neubauten member, born and raised in Berlin and a major participant in the city’s post-punk, pre-rave scene in the 1980s. “I’d go out on the street and play, go around one more corner, and there would be a wall.”
Read More

Sheffield: Tales from The Steel City

The Human League, Cabaret Voltaire, Clock Dva, Vice Versa, and a whole lot more besides. What on earth was going on in Sheffield in the late 1970s? Was the electricity really better there? Six of the key players take us back to the early days of the Steel City’s pioneering electronic scene, with tales of groups like Musical Vomit, The Dead Daughters, The Studs and The Future…