With a new retrospective anthology charting the rise and fall of Scotland’s restless industrial creatives Fini Tribe, Chris Connelly, Davie Miller and Andy McGregor discuss the art of exploding paint balloons, being skint and the influence of bottle-smashing pensioners

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Shackleton: Most Haunted

Shackleton’s stock has never been higher. In a rare interview, the sound designer and arch-collaborator opens up on his gloriously hypnotic new album,  a disorientating miasma of woozy hauntology and “cracked-mirror oddness”
Read More

The Beloved: Happy Talk

Originally released in 1990 and reissued this month, The Beloved’s ‘Happiness’ album appealed to ravers and the pop charts alike. Jon Marsh reveals the full story of one of the classic records of the post-acid era
Read More

The Gift of Sound and Vision: Malcolm Garrett

If you were a teenager in the 1980s, Malcolm Garrett’s iconic record covers most probably crazy-paved your bedroom floor. Inspired by a love for electronic music and a hefty dose of early punk, his revolutionary design ideas reverberate to this day
Read More

Jon Hopkins: Beats Surrender

Don’t be fooled, ‘Music For Psychedelic Therapy’ isn’t Jon Hopkins going all wallpaper ambient on us. It’s a weighty album he says needs to be listened to loud. We turn up the volume