0
Shares
0
0
0

In 1984, Thomas Dolby’s ‘The Flat Earth’ album saw him outgrow his persona as MTV’s favourite “outgoing boffin” and flourish into a songwriter of impressive versatility. With an expanded digital version recently released, is he still “hyperactive now he’s grown”? He may be more reflective, but as he explains, life still has its fair share of adventure and excitement

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 17 minute read

Autobahn: The Electronic Road Trip

It’s 40 years since Kraftwerk released their “year zero” album, ‘Autobahn’. With the help of insiders Wolfgang Flür and Michael Rother, and qualified self-confessed Kraftwerk obsessives Daniel Miller and Andy Mccluskey, we examine this most crucial and enigmatic of electronic music landmarks
LLong Reads
Read More
  • 8 minute read

Lost Souls Of Saturn: Alternate Realities

As “multidimensional creative dissidents” Lost Souls Of Saturn, Seth Troxler and Phil Moffa fuse elements of techno, dub, house, jazz, psych and ambient into vivid and expansive new shapes. Enhanced by augmented reality, it’s quite the trip
LLong Reads
Read More
  • 8 minute read

Floorplan: We Are Family

From Detroit techno legend – a key member of Underground Resistance, no less – to Alabama church preacher, Robert Hood is a man on a mission. Now he’s teaming up with his daughter Lyric Hood under the name Floorplan and the result is wholly exhilarating
LLong Reads
Read More
  • 68 minute read

50 Years of Electronic Sounds

Plotting a course through the world of electronic music in 50 key releases seemed like a great idea when we came up with it, but it quickly turned into an all-consuming monster.
LLong Reads
Read More
  • 20 minute read

Plastikman and Chilly Gonzales: Minimal To The Max

As Plastikman, Richie Hawtin is the king of reduction. But ‘Consumed In Key’, a collaboration with piano maestro Chilly Gonzales, is a radically different take on minimal techno, a step into uncharted territory that pushes both artists way beyond their comfort zones. The result is simply stunning