Celebrating the release of the first Tears For Fears album since 2004, Roland Orzabal and Curt Smith reflect on a five-decade career and talk about loss, working under duress, musique concrète and Gothic architecture 

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Factory Records: Section 25

Way ahead of their time, Section 25 were one of Factory’s most inspired signings. Drummer Vin Cassidy looks back on the early years of the label and how his band came into its orbit 
Read More

Modern Cosmology: Splinter Groop

As Modern Cosmology, Lætitia Sadier and Brazilian outfit Mombojó make quite the team. Fusing lounge jazz, bossa nova, psych and prog grooves, their debut album is like a lost early Stereolab classic
Read More

Barry Gray: Scoring Position

With their promise of exhilarating retro-futuristic adventures, Barry Gray’s defining soundtracks for Gerry and Sylvia Anderson fizz with bombastic brass, sweeping strings and daring electronic innovation 
Read More

The Orb: Babblin’ On

In this extract from his new book ‘Babble On An’ Ting’, detailing Alex Paterson’s extraordinary life and work, Kris Needs talks to his long-time friend about the blurred boundaries of The Orb, the KLF and Space