In 1992, Canadian sound artist Michael Brook recorded ‘Cobalt Blue’ and ‘Live At The Aquarium’. As these immersive world music albums are reissued by 4AD, he looks back fondly on a fertile creative period spent working with Brian Eno, the “Infinite Guitar” and a tank filled with hungry sharks

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
You May Also Like
Read More

Bonobo: Bits and Pieces

When lockdown drudgery stalled Bonobo’s creative process, inspiration for his new album ‘Fragments’ came in the shape of modular synths, sweeping strings, vocals galore and, well, a bagpipe choir
Read More

Tangerine Dream: Dream Factory

When Edgar Froese changed cosmic address in 2015, you’d be forgiven for thinking that Tangerine Dream would follow suit. But working from his extensive archive of recordings, a new school of composers is keeping his flame very much alive
Read More

Peaches: Wet Wet Wet

Riotously bawdy and uncompromising, Peaches is no stranger to radical provocation or controversy. Her first album in 11 years, ‘No Lube So Rude’, doubles down on that hardcore trajectory to louder, filthier and more joyously confrontational extremes
Read More

The Vision Quest Of Hans Edler

Released in 1971, Hans Edler’s ‘Elektron Kukéso’ album step-programmed its way into the future, at a time when computer pop was still a sci-fi pipe dream. And it’s an enduring delight to this day 
Read More

Moby: To The Beat, Y’all!

With the release of ‘Resound NYC’, a reimagining and orchestration of his New York-centric hits, Moby reflects on the influence of the Big Apple, the power of the human voice, and hanging out with David Bowie and Lou Reed